March 7, 2026

Michael Graves: The Patient Philosophy of Audio Restoration

Michael Graves: The Patient Philosophy of Audio Restoration

Five Grammys and a working museum of tape machines later, Osiris Studio's Michael Graves reflects on the ethics of restoration, the problem of artist intent, and why the work never stops surprising him.

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Today, we're putting The Tonearm's needle on Michael Graves, a five-time Grammy-winning mastering engineer and the founder of Osiris Studio in Los Angeles.

Michael's work is restoration as archaeology—pulling performances off deteriorating tapes, damaged acetates, and obsolete formats, then deciding how much intervention is too much. He's done this for recordings by Hank Williams, Aretha Franklin, Stax songwriters, and field recordings from Cambodia, Sudan, and Mississippi. His most recent Grammy came in 2024 for Written in Their Soul: The Stax Songwriter Demos.

The deeper question his work raises is curatorial: where does restoration end and revisionism begin? What gets rescued, and what stays buried?

Dig Deeper

Michael Graves and Osiris Studio:

Key Projects Discussed:

Labels:

Artists and People Referenced:

  • Chris Bell — Big Star co-founder; I Am the Cosmos recorded in the mid-1970s
  • Big Star — Memphis power pop band co-founded by Chris Bell and Alex Chilton
  • Geoff Emerick — engineer and producer; produced and recorded Chris Bell's post-Big Star sessions
  • Eddie Floyd — Stax recording artist and songwriter; known for "Knock on Wood"
  • Johnny Mercer — American lyricist, songwriter, and Capitol Records co-founder; his archive is held at Georgia State University
  • Leonard Cohen — Canadian singer-songwriter; Graves worked on his personal archive

Institutional Archives and Collections:

Professional Organizations:

Other References:

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